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Two Requests in Light of Recent Events

I think it is important to note, in light of recent events, a couple of clarifications.

One is that I never used the word faggot in the tape recording being offered as evidence against me. What word is said right after the other choice word I use is unclear. But I can assure you, with complete confidence, that a direct homophobic slur (or indirect one for that matter) is not spoken. In the wake of referring to a tabloid "journalist" as a toxic queen, I would never allow myself to make that mistake again, nor would I expose my wife and family to the attendant ridicule. My friends who happen to be gay are baffled by this. They see me as one who has recently fought for marriage equality and has been a supporter of gay rights for many years. Now, the charge of being a "homophobic bigot," to quote one crusader in the gay community, is affixed.

Another issue I want to address is the decision by MSNBC to suspend my show. Whether the show comes back at all is at issue right now. My producers and I had a very enlightening and well-researched program prepared to air on November 22nd itself, dealing with John Kennedy's assassination. That show is off the air now. I am deeply apologetic to Ron Fried, who worked extremely hard with me on that show. It's heartbreaking to me that the show, meant to coincide with the actual anniversary, will not be aired that night. The show is no doubt a work in progress and one that I believe featured some interesting guests and disseminated a good deal of interesting information. But if the show dies, its fate ends up being no different than the vast majority of start-up TV programming, and so be it. We do take a small amount of pride in knowing that we beat CNN in the ratings each of our nights. (I forget who they had on at that time.)

I have been a fan of MSNBC for some time. Its left-leaning tone never bothered me. I still believe that they are more enamored of and devoted to the truth in any single hour than Fox is all year long. I think Rachel Maddow is perhaps the single most important television journalist on the air today. And if my show does disappear, I will be grateful in so far as her good work, along with that of O'Donnell and Hayes and Sharpton and Matthews and Jansing, will not be sullied by my problem.

Also, it is interesting to note how, once again, the lie travels around the world quicker than even Twain imagined. Oddly, my foundation has donated over $11 million of a projected $15 million from revenue from my recent Capital One ads. Many people don't know that and when informed actually find it hard to believe. But the assertion that I am a bigoted homophobe travels at light speed and, at least in the case of those who like their internet news without fact or reflection, is accepted, even cheered, without a moment of doubt.

Additionally, the press never turns the camera around on themselves. Least of all the tabloid press. My wife is a young mother with a newborn child. Yet reporters harass and hector her and our baby outside our home in ways that approximate a hockey brawl. It is shameful. And it should be illegal.

I am concerned for my family. In Bloomberg's New York, forty or fifty paparazzi are allowed to block streets, inconvenience homeowners, workers and shoppers, and make life miserable for my neighbors. Photographers have tripped and fallen on babies in strollers on my block. They have nearly struck my wife in the face with microphones. They provoke me, daily, by getting dangerously close to me with their cameras as weapons, hoping I will react. When I do, the weapon doubles as a device to record my reaction. And then, apparently, I lose every time. If quitting the television business, the movie business, the theatre, any component of entertainment, is necessary in order to bring safety and peace to my family, then that is an easy decision. This country's obsession with the private lives of famous people is tragic. It's tragic in the sense that it is so clearly a projection of people's frustration about their government, their economy, their own spiritual bankruptcy. You have no voice in Washington. In Washington, or in any statehouse, no one actually cares what you think. So you post online, you vote with a Roman-esque thumbs up or down on the celebrity debacle of the day. That is your right. It's also fatal misdirection of your voice and need to judge. Occupy Wall Street, on their worst day, had more integrity than the comments page of this website ever will.

Two requests. Don't allow my problem to be MSNBC's problem. They are good people who work hard at a job, just like many of you. And two, please respect the privacy of my wife and family. If you have an opinion of me, then express it. Think what you like. But I ask that my wife, who I care about more than words can say, and both my children, be left out of this.

Jennifer Lawrence Shows Major Skin At 'Catching Fire' Paris Premiere

Jennifer Lawrence is touring the globe on a non-stop media blitz promoting her new movie "The Hunger Games: Catching Fire," and she's turning heads at every turn.

All eyes were on the 23-year-old actress at the film's Paris premiere on Friday night (Nov. 15), when she stunned fans and photographers alike in a gorgeous Christian Dior Couture gown that revealed quite a bit of skin. Lawrence went braless in the stunning gown that featured a sheer panel on the chest that ran diagonally to her waist.

It's definitely one of the sexiest dresses we've seen Lawrence wear, and it comes just a day after she flashed a bit of sideboob in a black and yellow Proenza Schouler dress at the 2013 Rome Film Festival.

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And though it appears Lawrence is comfortable showing off her sexy side, she recently had some harsh words when asked for her thoughts on the sexualization of young women such as Miley Cyrus.

"It's just kind of a part of this world. It's a part of the entertainment industry that sells. Sex sells and for some disgusting reason, young sex sells even more," Lawrence told the BBC.

Lady Gaga Isn't Wearing Much For Day Out In New York City

It turns out, these days, it's "less is more" for Lady Gaga.

Mother Monster, who's usually known for her extravagant, accessory-heavy looks, got back to the basics in a barely there strapless dress on Friday for a day out in New York City.

Check out her little black number below:

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Judd Hirsch Turbine Opposed By New York Neighbrors

DENNING, N.Y. (AP) — Some residents of a town in New York's Catskill Mountains are trying to stop actor Judd Hirsch from building a 177-foot wind turbine on his property.

Dozens of Hirsch's neighbors in the town of Denning have signed a petition opposing the "Taxi" star's plan for a turbine on his 96-acre property. Richard Benktwitt lives in a log house about a mile from Hirsch. He tells The New York Times (http://nyti.ms/1jbr2Lt ) that the turbine "would ruin the beauty of the location."

The 78-year-old Hirsch tells the Times that his neighbors' fears are "baloney." He says the wind turbine's generator will cut his electricity bill to zero.

Another neighbor, Barry Schaefer, says he is in favor of alternative energy but he worries that the turbine will be noisy.

___

Information from: The New York Times, http://www.nytimes.com

Cops Called On Justin Bieber For Disturbing The Peace

Justin Bieber threw a rager last night and the neighbor with whom he has been at war called the police 3 times ... TMZ has learned.

Miley Cyrus Smoked Pot At EMAs Because She Thought It Would Be 'Really Funny'

There's officially no need to wonder if Miley Cyrus was smoking real weed at the MTV Europe Music Awards last week, because the singer confirmed that yes (and duh, the awards were held in Amsterdam), that was a real joint full of marijuana she sparked up on stage after accepting the award for Best Video.

We assumed that since the 20-year-old kept both of her performances rather tame, she opted to get people talking with her smoking stunt, but Cyrus claims she just did it for the laughs.

"I was just walking out of my room and then I was like 'Oh I have [this joint] in my bag, that will be really funny," she explained during a radio interview with U.K.'s Capital FM on Nov. 13. "And I didn't say anything to anybody. It's not that I think about that, and I don't tell anyone I'm gonna do it because then they're going to tell me no."

The "We Can't Stop" singer added, "I just did it mostly because I knew the fans in Amsterdam would love it and they started going crazy when I did it."

And just in case you didn't get the previous memo, Cyrus does not give "a f--k," what you, the media, or anyone else thinks of her:

"I don't care what the media says because I don't Google myself so I don't know what they say and I don't care because it's a bunch of people that maybe one time in their life they dreamt about being a journalist and then they became what they are."

Way harsh, Miley.

Pentatonix's New Album Debuts On Billboard Top 10

Pentatonix's new album, "PTX Vol. II" debuted in the Billboard Top 10 reports The Los Angeles Times.

The five-person a cappella group won the third season of NBC's competition series "The Sing-Off" in 2011 and have since become YouTube stars, with over 2 million subscribers and over 14 million people having watched their recent viral Daft Punk cover video.

Pentatonix has a loyal following online but their new album, "PTX Vol. II" debuted at number ten on the charts with almost no radio airplay, and needless to say, no musical instruments either. The group is currently on a sold out European tour with stops in Germany, Italy and London. Next year they will return stateside with a mammoth tour around the country, for which many of the dates have already sold out.

If the new album and tour isn't enough, you can also catch them this weekend, Sunday Nov. 17, as they will be part of a special re-broadcast of Disney Channel's hit original musical "Teen Beach Movie," featuring a cappella versions of songs from the film.







Head on over to their YouTube page to see their covers of other popular songs like Lorde's "Royals" and "Thrift Shop" and for more information on the upcoming tour, head here.


'House Of Lies' Cast Tweets They Are Alright After On-Set Shooting

It was a frightening day for the cast of "House of Lies," after a shooting broke out in the middle of filming in South Central Los Angeles on Friday (Nov. 15).

Sources told TMZ the show drew a large crowd while filming on location at the Nickerson Gardens housing project -- including members of rival gangs. Cast members T.I., Don Cheadle and Kristen Bell had just finished filming a scene when an argument became heated and shots were fired.

Thankfully, no one was injured, according to the website, and cast members took to Twitter to assure fans they were not hurt -- even managing to keep things light, despite the scary incident.









New 'Harry Potter' Short Film, 'The OMEn Chronicles' Continues The Story 15 Years Later

12 years ago today, on Nov. 16, the film adaptation of "Harry Potter and the Sorcerer's Stone" opened in theaters, starting an eight film series that would go on to gross more than $7 billion.

It has been over two years since the final film was released, but that didn't stop filmmaker Wren Weichman from continuing the story past the books written by J.K. Rowling. Weichman has directed and produced a new short film, "The OMEn Chronicles" that takes place in the world of "Harry Potter," now fifteen years after the events of the final book.

No familiar faces from the book series show up, but fans of "Harry Potter" should recognize the spells and wands being used by the new characters (even if this time around they're said with American accents).

This isn't the only screen adaptation fans can look forward to. It was announced back in September that Rowling was bringing her "Harry Potter" spinoff book "Fantastic Beasts And Where To Find Them" to the screen with her screenwriting debut.

So pour yourself a mug of Butterbeer and watch the short film above.

Aly Michalka Joins 'Two And A Half Men' As Amber Tamblyn's Love Interest

It looks like Jenny (Amber Tamblyn) is putting her single days behind her. According to TVLine, Aly Michalka has joined "Two And A Half Men" as Brooke, Jenny's love interest.

Michalka has only booked a recurring role on the series as of now, but who knows where a few episodes could take the couple's relationship?

As for Tamblyn, she told HuffPost Live's Nancy Redd that she's enjoying the role of Jenny very much.

"The fact that she is a lesbian is sort of the secondary conversation," Tamblyn said. "What makes it really remarkable is the fact that it's actually a female character that is not a cliche in a lot of respects, and that's really cool."

Catch Michalka on "Two And A Half Men" on Thursday, December 12 at 9:30 p.m. ET on CBS.

Joan Jett Kicked Off Thanksgiving Day Parade Float Because She's A Vegetarian

New York's Macy's Thanksgiving Day Parade is seeing quite the squabble as Joan Jett has been ousted from the parade's South Dakota float due to her vegetarian lifestyle, CNN reports.

According to the website, Jett's no-meat ways and involvement in the People for the Ethic Treatment of Animals group -- which "condemns factory farms and ranches" -- was enough for ranchers to protest her appearance on the float. Jett is also an outspoken PETA activist and has even recorded vegetarian testimonial PSAs for the group.

"I've decided to switch from South Dakota to another float because people's political agendas were getting in the way of what should be a purely entertainment driven event," Jett said in a statement Saturday. "I will remain focused on entertaining the millions of people watching, who will be celebrating a great American tradition."

Instead of representing the state that is "so heavily reliant on agriculture and livestock production," according to Jodie Anderson of the South Dakota Cattlemen's Association, Jett will be moved to a different float.

Head over to CNN for more.

Melissa Rauch Of 'Big Bang Theory' Does S&M-Inspired Photo Shoot For Maxim

The glasses have come off and "The Big Bang Theory" star Melissa Rauch has shed her character's signature cardigans for, well, a lot less clothing in a new photo shoot for Maxim magazine.

The 33-year-old actress stripped down for the magazine in an S&M-inspired shoot that has her showing off a lot of skin. Rauch dons a glittering little black dress with a plunging neckline for one photo, and strikes a sexy pose in another rocking a dominatrix-inspired bra top and high-waisted skirt.

Rauch, whose voice sounds very different in real life from the high-pitched nasal one she uses on the hit CBS sitcom, tells the magazine, there's another big different between her and her character, Bernadette.

"I've actually never been [to the Cheesecake Factory]. However, I am similar to Bernadette in that we both spent some time waiting tables. I worked at a sports bar in New York City during college. It was before fantasy football was online, so people would come in with their notebooks. One time I spilled a pitcher of beer all over someone's fantasy notebook. It really f--ked up his draft."

Head over to Maxim to see more pics from the racy photo shoot, and pick up the magazine's December issue, on sale Nov. 17.

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Justin Bieber Unveils Trailer For New Documentary 'Believe'

Get ready to be a Belieber again!

Justin Bieber has released the trailer for his second documentary simply titled: "Believe" which will be released on Christmas Day.

Bieber has had his string of bad press lately, but he's looking to turn that around with this new documentary revealing what it's like growing up in the spotlight as one of the biggest pop stars on the planet.

Bieber was the subject of a previous documentary, "Never Say Never," in 2011, which grossed $73 million (the third highest grossing documentary of all time). "Believe" looks like it picks up Bieber's story from the last doc and will probably be high on any Belieber's Christmas list.

Check out the trailer above.



Al Ruscio Dead: Veteran Character Actor Dies At 89

LOS ANGELES (AP) — Veteran character actor Al Ruscio, who appeared in countless film, television and stage productions across half a century, has died at age 89, said his longtime manager, Judy Fox.

Ruscio, who died Nov. 12 at his Encino, Calif., home following declining health, appeared in such films as the "Godfather, Part III" and "Guilty By Suspicion," and on some of the most memorable TV shows of all time, from "Sea Hunt" to "Seinfeld." His stage credits include "A Hatful of Rain" and "A View From the Bridge." In addition, Ruscio taught college acting classes, wrote a drama text called "So Therefore...A Practical Guide for Actors" and served on the board of directors of the Screen Actors Guild.

Ruscio is survived by his wife, actress Kate Williamson, four children and five grandchildren.

'Agents of S.H.I.E.L.D.': Fall's Biggest Disappointment

If the plane on "Marvel's Agents of S.H.I.E.L.D." went down with the loss of all souls aboard, I would not care. In fact, I would welcome it.

Unfortunately it's hard to see how any measures short of a total reboot could get this adventure drama to straighten up and fly right.

The "S.H.I.E.L.D." pilot was a competent and energetic opening gambit, and my hopes for the show were high. But perhaps that's why my Hulk rage has been inflamed by the shortcomings of the show, which thus far appears to be an infomercial for the interior of Agent Phil Coulson's increasingly claustrophobic plane. I tune in each week wanting to love it, but it comes up woefully short in all of the areas that matter.

Seven episodes in, I care not a whit for any of the characters. Shockingly for a drama with which Joss Whedon is involved (he's one of several executive producers), I don't care at all about the relationships between the characters. The stakes for the individuals, for various character pairings and for the team as a whole, don't add up to much. And thus I must conclude that, as is so often the case with J.J. Abrams dramas, Joss Whedon has only passing familiarity with what is transpiring on this show because he is off making movies.

I know that's how the industry works, I really do, but when something as lifeless as Fox's "Almost Human" (which comes from Abrams' TV factory) or "Agents of S.H.I.E.L.D." comes off the assembly lines of these guys, it's particularly disappointing. Their early TV work served as subversive rebukes to inoffensive corporate blandness, but these shows are prime exemplars of it.

As is the case with Agent Coulson, whose post-"Avengers" revival seems off -- even to him -- "S.H.I.E.L.D." just doesn't feel quite human. (Whedon and Abrams, both of whom are now highly paid cogs in very large entertainment industry machines, both debuted shows this fall that hinge on whether key characters are real and have souls. Make of that what you will.)

I can see the strained, obvious ways in which "S.H.I.E.L.D." tries to amp up the stakes within each story, but every character is too narrow and limited to animate the proceedings, and the stories themselves are constricted, unimaginative and predictable. "S.H.I.E.L.D." is a life model decoy of a show: It has all the parts and it moves them in the right ways, sort of. It presents a simulacrum of life, but is inorganic and mechanical. It has no blood pumping in its veins. It lacks fire, it lacks heat and that black plane rarely even makes an approach at emotional complexity.

I don't want to hear that the show doesn't have the money to do things that the movies did. Who expected a TV show, in this dollar-conscious day and age, to have those kinds of bucks? I didn't, and I actually relished the idea of a scrappy, hungry entry in the Marvel universe having to use its wits and ingenuity to come up with weekly adventures on a budget (what is any superhero tale but a story about beating the odds, after all?). And ultimately, the explosions and car chases don't matter if we're not particularly concerned about whether characters die. When it comes to "S.H.I.E.L.D.," I have more than once hoped that they would. Not just because I find several characters annoying or extraneous, but because a death might force the show to deal with the kind of challenging consequences it has gone out of its way to avoid.

I've watched dozens of adventure shows made for much, much less money because I was invested in the worlds, characters, themes and relationships on display. Spy shows, hero-driven dramas and sci-fi chronicles like "Stargate SG-1," "Strike Back," "Spartacus," "Chuck," "Burn Notice," "Covert Affairs," "The Americans," "Banshee," "Continuum," "Arrow" and heck, even "Lost Girl," have played in sandboxes that adjoin "S.H.I.E.L.D.'s" with much more success because they know what they're about. They've got a firm idea of the territories they want to explore and how their casts function best, and few things are more satisfying than watching a show play around with the ideas and dynamics to which it has laid claim.

I can't figure out what fascinates or animates "S.H.I.E.L.D.," aside from a desire not to draw the wrath of its corporate overlords. Is its prime directive to not confuse viewers who may be in comas?

Sadly, "S.H.I.E.L.D." isn't the only drama infected by the no-fun virus that's going around. "Hostages," "Almost Human," the upcoming "Intelligence" and "The Blacklist" are so glumly competent and unrelentingly serious that I half expect James Spader to sputter "This town needs an enema!" before the year is out. At least "The Blacklist" serves up some prime ham and cheese between its bland slices of competence, but so few other new shows have the loopy spark of a "Scandal" or "Sleepy Hollow." What sets those two shows apart, aside from charismatic characters and an energetic desire to stuff a whole lot of story into every episode, is the simple fact that they appear to be having fun.

Remember that? Fun? A careening sense of adventure and the exhilarating feeling that you don't know what's coming next? If it is the express intent of the broadcast networks to kill those qualities wherever they are found, for the most part, they're doing a bang-up job this fall. It's a sign of the sour state of network television that "Almost Human," a cop-buddy drama about a human and a robot has no sense of humor about the fact that it's a cop-buddy drama about a human and a robot. Although I will stipulate that any show that casts Minka Kelly as an urban cop must have a sense of humor ... of a sort.

"S.H.I.E.L.D.," which transmits all the joy of an annual tax audit, is not exactly filled with the kind of suspenseful storytelling that has prevented audiences from fleeing in droves (its ratings have steadily decreased since its debut). The show keeps asking viewers to trust it to dole out bits of information without offering any reason to trust it or any diversions to make the whole venture worthwhile (whatever little mythology there is comes off as scanty and derivative in the extreme). "S.H.I.E.L.D." is worse than Nick Fury when it comes to holding back vital information: The repeated references to Coulson's personal reboot in "Tahiti" are simply annoying at this point, as is the go-slow search for information about Skye's parents. That quest, by the way, completely defangs Rising Tide's questions about the motives, operation and secrecy of S.H.I.E.L.D., but I guess topicality is one more thing that was thrown out the black plane's window.

Why should viewers trust this show to transport them to interesting places? It has yet to appreciably deepen its characters beyond a trait or two. Ward remains cold and distrusting. May is remote and kicks ass. Coulson may not be what he seems. Fitz and Simmons are clumsy, socially awkward geniuses. Skye appears to exist on the show solely as an exposition-delivery system. Can you recall one villain? Can you remember which one is Fitz and which one is Simmons? Does it matter?

First seasons are hard, I get that. Even the adventure/sci-fi mainstay "Star Trek" had trouble launching each new TV incarnation. But the most troubled shows make an effort to give the audience a reason to stick with them despite early stumbles. I have trouble detecting that positive element anywhere in "S.H.I.E.L.D." The repeated mistakes and the show's tendency to double down on questionable choices seems like its natural state of being. What I don't get is why the show ignores what made the recent Marvel movies such giant smashes. The budgets help, but that's only part of it their formula for success.

The best recent Marvel films (and my personal top three would be "Captain America: The First Avenger" -- an underrated classic -- "Iron Man" and "The Avengers") did two things exceptionally well. They made you care about a central character or characters, and they made those characters matter to each other, and thus to the audience. If the characters didn't get what they wanted, you wanted those things for them. You cared about their goals and felt empathy when they were frustrated. My favorite scenes in "Captain America" involve Steve talking about his hopes and fears to Peggy Carter and Dr. Erskine. I don't know what most characters on "S.H.I.E.L.D." want or why they want it, nor has the show given me a single reason to care.

The fact is, any issue of Matt Fraction's "Hawkeye" is easily more inventive and more packed with memorable dialogue than the stiff patter and forced banter of "S.H.I.E.L.D." Like the show itself, "S.H.I.E.L.D.'s" dialogue needs to be both wittier and shaggier, not to mention less smug. Coulson and his team sound far too pleased with themselves much of the time -- an unfortunate consequence of Whedonian dialogue encountering an absence of moral complexity and emotional nuance.

Superficiality and a strict adherence to inoffensiveness has not turned "S.H.I.E.L.D." into the ratings smash ABC and Marvel clearly wanted. Simply put, they need to let "S.H.I.E.L.D." off its leash. They need to infuse it with the character depth and streaks of weirdness that makes Marvel's best and most lasting properties work. They need to let it be goofy and unexpected and complicated and occasionally strange.

And the powers that be need to let this show be sad once in a while, because a hero can only rise after she falls. Hard.

"Marvel's Agents of S.H.I.E.L.D." airs 8 p.m. ET Tuesdays on ABC. "Almost Human" airs 8 p.m. ET Mondays on Fox.

Ryan McGee and I talk "Agents of S.H.I.E.L.D.," "Arrow," "Sleepy Hollow" and "Almost Human" on a new Talking TV podcast, which you can find here, on iTunes and below.


'The Starving Games' Is The Worst 'Hunger Games' Spoof Ever: A Liveblog

What in the world are "The Starving Games"? Curiosity got the best of me, having heard enough groans about this movie's mere existence, so I had to see for myself. Unfortunately, it's darn near impossible to find "The Starving Games" playing in a movie theater: a 200-mile radius search from my location came up with zero results. It was also 148 miles more than I was willing to travel for this one anyway.

"The Starving Games" is, of course, a parody of the very popular "Hunger Games" movies from the team of Jason Friedberg and Aaron Seltzer, the two men who also brought you spoof movies "Meet the Spartans" and "Vampires Suck." I downloaded this movie off of iTunes and kept a running diary of what transpired. Here's how it went:

0:30 The Starving Games logo is a flaming onion ring with an arrow-pierced roasted chicken in the center, and something tells me that this will be the highlight of the movie.

0:46 The woman playing the Katniss part looks less like Jennifer Lawrence and more like Jo Polniaczek.

1:13 The fake Katniss just shot a James-Franco-as-Oz lookalike in a hot air balloon.

1:22 I'll say this for "The Starving Games," they only wasted one minute and 13 seconds of precious screen time before making a bad non sequitur pop culture reference.

1:45 The fake Katniss just bit into a piece of hardened bread and her mouth is filled with blood. Less than two minutes of this movie have passed.

1:55 Darfur and Syria jokes are always a crowd pleaser.

2:18 I think I've made a mistake.

2:48 I imagine that the auditions for "The Starving Games" go something like this: "Can I see your 'I just saw something shocking' face? Can you bulge your eyes out a little more?"

3:07 On a District 12 street sign, the word "fabulous" has the "fabu" crossed out in paint with a "y" added and this might just be the most clever thing Friedberg and Seltzer have ever come up with.

3:38 "Harry Potter references are still hip, right?"

"Not really."

"Should we include one?"

"Yes."

3:57 I just learned that the fake Katniss is named "Kantmiss."

4:04 I am resigned to the fact that I will have to type the word "Kantmiss" at least 40 more times today.

4:45 I wonder which scene Soderbergh directed.

5:46 Diedrich Bader is in this movie.

5:57 I really have no commentary on Diedrich Bader one way or another, it's just odd to see a person in this movie who has a real name I know.

7:14 "Starving Games" just made fun of "The Hunger Games" by insinuating the idea was stolen from "The Running Man."

7:35 "How do we parody the 'May the odds be ever in your favor' line?"

"How about 'May the odds be never in your favor'?"

"That's dynamite stuff."

9:15 You might be thinking that one "Hugh Janus"-type joke as the names are picked for the games would be enough, but you would be really far off with that guess.

10:10 I don't think I like this movie.

10:26 A hamster in this movie just did the "eye bulge" trick.

11:27 The mockingjay salute in this movie is the middle finger, which is a coincidence because I was just making the same gesture at my screen.

12:31 I wish I was doing something else.

13:26 A joke about Oprah's weight was just made and I find myself nostalgic for James Franco in "Oz" jokes.

13:34 Honestly, how does that even happen? Is there a saying like, "If it wasn't funny in 1987, put in in your movie," that I am not aware of?

14:12 The countdown show unintentionally looks like it's being filmed in a high school gymnasium.

15:30 The first literal "needle scratching on a record" moment just happened.

17:25 Why?

17:28 The fake Katniss just stuck her foot into the fake Peeta's anus and I don't want to write any more about this scene.

18:10 There is over an hour left in this movie.

18:33 I wonder what sort of stationary I should use for my eventual "Starving Games"-induced resignation letter.

23:45 One of the contestants in the Starving Games just wedgied another contestant to death.

24:13 I really don't understand who this movie is for other than curious Internet writers.

27:23 I can't remember the last time I was this miserable.

28:34 Kantmiss just got hit in the head by an Angry Bird.

29:56 There is a talking orange in this movie that makes orange puns.

35:02 "I think we've run out of ideas."

"What if the mockingjays pooped on Kantmiss' head?"

"That's a really terrific idea."

"After that we parody the Double Rainbow guy and 'Avatar'?"

"Hey, it's 2009 somewhere, right?"

38:57 This movie's idea of a James Cameron impersonation is an old man screaming, "I'm king of the world" while throwing money into the air. I mean, sure, why not?

44:27 The guy who plays the Wes Bentley character isn't bad.

44:30 I can't believe I just wrote that prior sentence.

44:50 Kantmiss just "Tebowed."

47:30 The Gale character in "Starving Games" is more developed than he is in either of the two "Hunger Games" movies.

51:16 I can't believe this movie is still going.

55:25 I just realized that the fake Peeta's name is "Peter."

59:23 And so concludes the longest hour of my life.

1:01:32 A reference to "The Hobbit" feels almost as long as the first "Hobbit" movie.

1:06:01 Because this movie really was lacking a reference to "The Expendables."

1:06:13 The guy who plays Jason Statham isn't bad, actually.

1:06:45 Gale just showed up in the arena and killed The Expendables. I realize that sentence makes no sense but at the same time it supports my point about Gale's arc in this film versus the real film.

1:09:30 Kantmiss has killed Peter and the movie is mercifully over.

1:10:10 No, no, it's back. The Avengers have showed up because that really did have to happen.

1:11:21 I think it's over?

1:11:25 Nope.

1:11:45 There's a blooper real.

1:12:34 Someone actually said, "I'm positive that people will want to see the mistakes we made while filming 'Starving Games.'"

1:12:34 Watching these bloopers is honestly as exciting as if I had embedded a video in this post of me making typos while writing this live blog.

1:15:30 This movie has finally ended. Good grief.

Mike Ryan is senior writer for Huffington Post Entertainment. You can contact him directly on Twitter.

No One In Australia Wants To Go To Justin Bieber Concerts Anymore

Justin Bieber begins his eight-show Australia tour on Nov. 26, but it doesn't seem like anyone really wants to go. According to news.com.au, many tickets are selling for half their original price, and some don't even have any bids (including seats in the front four rows, priced at $79.00).

Alex Levenson, who heads the Asia Pacific sector of ticket-selling market place viagogo, blamed the drop on Bieber's "very good impression of an enfant terrible." Sales decreased 23 percent since the pop star's infamous visit to a Brazilian brothel and another 18 percent since we saw that picture of his tiny body passed out in a hotel earlier this month. Overall, tickets are 41 percent of the price they sold for last year.

Of course, Bieber's rap sheet extends far past his brothel field trip. Considering the age of his Beliebers (namely, girls under the age of 15 who in need of a chaperone), it makes sense there would be a decrease in interest that co-varies with the decline of his wholesome image. Levenson further compared Bieber to One Direction, noting the former has 187 percent more tickets up for resale than the charming Brits with a "squeaky clean" image.

Alas, haters confused admirers gonna hate.

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Morgan Platt, 10-Year-Old Cancer Patient, Makes Music Video Of Katy Perry's 'Roar' At Connecticut Children's Medical Center (VIDEO)

Move over, Katy Perry. Here comes Morgan Platt, a 10-year-old girl with cancer from Avon, Conn., who is roaring louder than ever.

Platt wanted to spread awareness about her cancer (along with other types of cancers being treated at Connecticut Children's Medical Center), according to a press release from the hospital.

She was diagnosed with a brain tumor in June of 2011. During one of her treatments, she took it upon herself to make the music video in hopes of it going viral.

In the past two months, we've seen the staff at the Children's Hospital at Dartmouth-Hitchcock Medical Center and University of Minnesota's Amplatz Children's Hospital put together their own viral videos -- once again, celebrating the courage of children who are battling major illnesses.

Platt decided to do one on her own.

With the help of her mom, Kathy, she got the nurses, physicians and other patients and parents involved to produce a heartening and inspiring version of the song.

“It’s these little bursts of greatness for these kids that keep them going,” said mother Kathy Platt. “I’m so proud of Morgan. She’s defying the odds!”

The Hole In The Wall Gang, a New Haven based non-profit that Paul Newman founded in 1988, helped shoot and edit the video.

“When Morgan and her mother contacted our Hospital Outreach Program to help with their vision for this video, we saw it as a great opportunity to shine a similar spotlight on the playful, caring and welcoming atmosphere of Connecticut Children’s,” said Mike Dauphin, the videographer and editor of the “Roar” video.

Watch these champions “roar."

Rita Ora Hospitalized After Collapsing During Photo Shoot

Rita Ora was hospitalized in Miami, Fla., today (Nov. 18) after she reportedly collapsed on the set of a photo shoot.

According to the Daily Mail, the 22-year-old British singer was carried out of her makeup trailer and put in an ambulance around 2:30 p.m. She was allegedly taken to Mount Sinai Medical Center in Miami Beach.

Although the cause of her collapse has yet to be revealed, Ora was shooting a new ad campaign for Madonna's Material Girl clothing line in 80 degree weather. She was photographed earlier today posing next to a vintage car in a "Peace" dress and black ankle boots.

UPDATE: Rita Ora's rep has confirmed her hospitalization to The Huffington Post. "Rita Ora was treated for heat exhaustion and dehydration at our hospital today," Dr. David Farcy MD, Chairman of Emergency Department at Mount Sinai Hospital Miami tells us. "She was discharged and is fine."

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'Catching Fire' Review: New 'Hunger Games' Movie Impresses

A considerable upgrade over the first "Hunger Games" movie, "Catching Fire" comes across more like a remake than a sequel.

In the adaptation of the second installation in Suzanne Collins' young adult trilogy, there's certainly plenty that has changed. Rebellion against the totalitarian rule of President Snow (Donald Sutherland) in the 12 districts of Panum is growing. Katniss Everdeen (Jennifer Lawrence) is now a beloved hero with the weight of celebrity on her shoulders. And Philip Seymour Hoffman, bless him, has found his way into the proceedings. Yet the general plot — a journey from Katniss' poor hometown of District 12 to a climactic game of human hunting in "the arena," with high-speed train rides and training sessions in between — is identical to the first "Hunger Games."

More has shuffled behind the camera, and "The Hunger Games: Catching Fire" is much the better for it. Francis Lawrence ("I Am Legend") has taken over directing from Gary Ross, whose poor handling of the first film didn't stop it from becoming a sensation. Lawrence has given the film (the budget was nearly doubled) a more settled environment heavy on greys and a more appropriately grave emotional atmosphere. These are kids being forced to kill other kids, the franchise seems to have realized.

"Catching Fire" opens with Katniss back in District 12, haunted by the experiences of her first Hunger Games. There, too, is her flame Gale (Liam Hemsworth), who's slaving away in the mines. (Hemsworth, a nonentity in both films, makes about as convincing a miner as Ben Stiller's Zoolander did.)

But Katniss' success in the Hunger Games was partly due to her for-publicity-sake romance with her co-winner Peeta (Josh Hutcherson, who seems about half the height of the screen-dominating Lawrence). President Snow, aware of the put-on, insists they keep up the charade to help pacify the uprising.

There's an ironic satire of modern celebrity somewhere in "Catching Fire." Katniss has become famous only to find it a trap. As her Hunger Games coach Haymitch (Woody Harrelson) says, "You never get off this train."

Lawrence isn't so different. "The Hunger Games," along with her more interesting work in "Winter's Bone" and "Silver Linings Playbook," has made her an enormous star. She is quite literally "the girl on fire," as Katniss is nicknamed.

When she's trotted out with Peeta on a victory tour of the 12 districts to "feed the monster" — that is, to distract the masses with their tabloid romance — one can't help but see "The Hunger Games" as the same kind of diversion. It's dystopia-lite: a bloody tale of oppression watered down for a PG-13 rating.

The act doesn't work as Snow intended. On the tour, we get glimpses of protesters, emboldened by Katniss, swiftly snuffed out by Storm Trooper-like guards. (Any actual dying in "The Hunger Games" always happens just off screen). With his plotting new adviser (Hoffman, adding a dose of intrigue), Snow announces a twist: The next Hunger Games will be fought between former Games winners. He hopes these Hunger Games will reveal — in the reality show broadcast of the event — Katniss as a killer, not a symbol of populist hope.

The most pleasing moment in "Catching Fire" comes when these other former Victors — a motley crew of veteran warriors — is introduced. Among the bone-crushing murder professionals is, of all people, Jeffrey Wright. He proves a cunning brainiac.

Back are Elizabeth Banks (as the Capitol escort Effie), Lenny Kravitz (as Katniss' pyrotechnic stylist) and, easily the high point of both movies, Stanley Tucci as the campy broadcast emcee Caesar. Among the newcomers, Sam Claflin, as the arrogant Hunger Games veteran Finnick Odair, has a mischievous charm.

But "Catching Fire" is, to be sure, Lawrence's show. The exaggerated world of "The Hunger Games," with its cartoonish decadents, teenage Roman gladiators and theatrical allegory, would overwhelm most young actors. But Lawrence (convincingly tormented in this film) has a calm sincerity and steely determinism that cuts through it all. Katniss' rise is hers, too.

"The Hunger Games: Catching Fire," a Lionsgate release, is rated PG-13 by the Motion Picture Association of America for intense sequences of violence and action, some frightening images, thematic elements, a suggestive situation and language. Running time: 146 minutes. Two and a half stars out of four.

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MPAA definition of PG-13: Parents strongly cautioned. Some material may be inappropriate for children under 13.

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Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jake_coyle
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